Supported Cameras (Version 3.0) Please note that the Kodachrome Presets will ONLY work accurately with the camera models listed below. As Fuji puts it, Classic Chrome is a simulation they made up to resemble the look of color photos from the fifties and is not a simulation of any specific film. Kodachrome. Meine Fuji Custom Settings / Filmsimulationen Teil 2 Im ersten Teil der Serie habe ich mich dem Grundverständnis des Quick Menüs und der Custom Settings gewidmet. You can use these simulations on all Fujifilm camera’s with little adapting. Please mention “MGA” if you share the settings and please mention OneCameraOneLens. This could be a Southern Hemisphere phenomenon. Change ), visit this link and see the hard work we do, written this easy guide to help you on your way. This is a very new section and we currently offer 16 film simulations for the X-Trans IV sensor. They started adding the iconic Provia, Astia and indeed the awesome Velvia preset in their jpeg settings on camera and later in their color profiles develop settings for Lightroom. But I would like to see something new based on the Classic Negative profile. Has anyone ever asked Fuji Service what they charge for an exorcism? Kodachrome was often a bit warmer, and when light was bad would "fade to gray" (to use my own very unscientific terms). Thanks, Mark! Yes, my test pictures are usually a combination of those things. Note that Kodachrome slides tend to be quite contrasty, so you may need to play around with the curve or black-point settings to get an optimum result. here's my contribution using the X100. Post your bridge photos from any camera here. The process was a dye additive process and required a chemist on the premises at all times. These settings can be used in other cameras with different sensors, but may give different results. So good work you’ve done!! Oct 13, 2020 at 12:30 AM Change ), You are commenting using your Google account. Other positive slide films such as Fuji Velvia and Kodak Ektachrome (Ektachrome was intended as a replacement for Kodachrome) used the simpler E6 color reversal process. Simulations in bold text have dedicated own page with more examples etc. The possibilities of the kodachrome presets for Lightroom are endless, they add style, can bring a WOW effect and skillfully highlight key points on your photos, but also speed up the photo editing process. Good thing we are not superstitious here. This bundle is made to imitate the Kodak film by changing some Lightroom color settings on your photos so you can emulate the old analog Kodak touch with your current digital images. ( Log Out /  Fuji's in-house emulation profile doesn't look like the real thing at all. They started adding the iconic Provia, Astia and indeed the awesome Velvia preset in their jpeg settings on camera and later in their color profiles develop settings for Lightroom. However, this article isn't going to be about the merits of shooting film, but the value of Fujifilm's film simulations. Thanks for your advice i have just started a month ago doing my log. I shot Kodachrome back then, and it didn't look anything like this. I have set up my custom settings and choose in the Q-Menu. Finally, I have a question about scanning software. For those who need help installing the film simulations onto your camera, I have written this easy guide to help you on your way. These presets are fun but not really fair to compare to any reversal film. Today I am going to go over all of my camera settings for the Fuji X-T2 and X-T3 that I use for landscape photography. These settings aren't the bottled magical substance of the photographers listed, rather they're guides to how I should be approaching the shot. I highly advise that you print your images at some point, as these simulations really take on a different feeling when they are printed. Fuji X Weekly — Film Recipes is a free app that gives you access to over 100 Film Simulation Recipes for Fujifilm X cameras! Correct me if I'm wrong here, but I think if you were shooting color film in the 1950s, you were pretty much shooting Kodachrome. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Do you keep it in a sealed ziplock style bag, or just the rucksack/camera bag it was in outside, so it all warms up at the same time and temp? Note that Kodachrome slides tend to be quite contrasty, so you may need to play around with the curve or black-point settings to get an optimum result. Ten opzichte van andere emulsies onderscheidt hij zich door de enorme scherpte (contourscherpte en fijne korrel), de natuurlijke (neutrale) kleurenweergave en de extreem lange … Some exceptions apply…always read the fine print. I am currently using SilkyPix version 3.2.23.0. Brilliant just got my Fujifilm XT30 any tips. Typically Astia as a default setting, Velvia for nature and Acros for black and white. All simulations are a base-line for you to play with, so don’t be afraid to tweak! All film simulation recipes are copyright Mark G Adams, and can be used by anyone. At what low temperatures did you use your X-T1, X-T2, X-T3, X-T4? I just had this. Thank you for sharing all of these, so nice of you. The only films that I've ever been able to definitively identify just by looking at them were Agfachrome CS18 and Velvia. I have tried to use RAW – but I often find that the jpg options give me a good result. However, it didn't look like Fuji's Classic Chrome either. These settings can be used in other cameras with different sensors, but may give different results. Please feel free to share the page and the website. uhh. Finally, I have a question about scanning software. That reminds me - this is actually a bridge photo(and it has two bridges in it): The resting in the bag idea I’ve heard before - but how? Agree completely that these X-Equals presets are far too saturated, but the whole point of presets in Lightroom is that you can modify them. no adjustments, just applied the presets and exported. Every couple of months, I’ll mix up my fifth custom setting slot and try something a little different. As you know, masters of photography of the analog era used to deal with professional laboratories. It's more a question of whether the colours and contrast are basically attractive to one's own taste. Nevertheless I will try them out. Kodachrome was included within the rendering options available even before the end of February 2015. Both are worth a visit, as it can give you an idea to work with. Classic Chrome ist Fujis Interpretation des legendären Kodachrome Films. But instead of just pictures of a flower also a city scene or landscape would be nice. From this week's exercise walk, X-T2 50-140 + 1.4 convertor handheld due to lockdown restrictions. Below are my go-to settings for the ACROS film simulation in my X100F (and previously, the X-Pro 2).My goal with these settings is to create immediately usable files that I … 1. settings. The standard setting is DR100 with a base ISO of 200, but also available are DR200 and DR400 settings. Simulations in bold text have dedicated own page with more examples etc. JavaScript is disabled. Ich bediene mich eines Zitats von Steve McCurry, der sagt Kodachrome hätte: “more poetry in it, a softness, an elegance”. "You can tell the mighty H1 hates my old glass as it displays the number of the beast!" Here are the settings you need: Film Preset: Across Red Filter Highlight: +2 Shadow: 0 Colour: 0 Sharpness: 0 Noise Reduction: -4 Colour Chrome Effect: Strong Grain Effect: Off White Balance: Auto (set to 0 Red and 0 Blue) Dynamic Range: DR200 ISO: Auto ISO up to 6400 is fine. If you click on the top line (I’m not in front of my Mac, “as shot”) its straight raw. ( Log Out /  Select a profile/sim and I believe you get the message. Excellent recipes, I love specially the M10 Mono! Simulations in bold text have dedicated own page with more examples etc. While I mostly use the Raw files, I do occasionally use Jpegs straight from the camera. It may not display this or other websites correctly. Nevertheless, the new films couldn’t replicate the colors and depth of Kodachrome and … That is a brilliant set of Lightroom presets - thank you for drawing them to our attention. Hopefully you have found all the recommended settings above to be useful for setting up your own Fuji X100F! It was not the most environmentally sound process. Would a plastic shopping bag folded over and tucked round do? Solltest du den Beitrag noch nicht gelesen haben, so lege ich dir nahe das zu tun bevor du weiter liest. Nice simulations, but would like to see more pictures with the simulations to get a better idea how it looks. Over the years I I've been pretty happy for now with the following camera settings: Nice shot but I find the out-of-focus faded foreground distracting from the subject. Change ), You are commenting using your Twitter account. I have often sticked with a few different film simulations, that I choose from. I always loved the mood of the different films profiles (simulations) included in any of the Fuji cameras released since the first X-Pro, the famous Fuji simulations. It’s like shooting Kodachrome on a chip has 12.5+ stops and range and crazy-granular color controls. but let's say I shoot in jpg...which film simulation is more ideal and flexible if I want to apply a preset to the photo afterwards? Kodachrome looked much more saturated and contrasty, If I boost color +1 or +2 and shadows to +1 it sort of helps...kinda. I was trying to see what crazy looks I could get if I really messed around with the settings. https://lifeunintended.com/articles/my-favorite-fujifilm-film-simulation-settings But, both the X-Pro1 and X-E1 are boxed with a custom version of SilkyPix a RAW converter that is specially adapted for the Fujifilm X-Trans sensor. Depending on your photography I would suggest a 23mm F/1.4 or 33/35mm F/1.4. Other settings that I have changed from the defaults are as follows: Setup > Power Management > Performance: High Performance; AF/MF Setting > Number of Focus Points > 325 Points; Pre AF > Off Movie Settings > Movie Mode > 1080/25p; That’s about it really. Only Kodak developed Kodachrome film in the US until the very end when Dwayne's took over the processing. Does the charging indicator lamp come on? fujix-forum.com uses cookies to help personalize content, tailor your experience and to keep you logged in if you register. Just be sure not to overdo it so you don't leave any residue on the film. ( Log Out /  Many of you know that I am an avid film photographer. I always loved the mood of the different films profiles (simulations) included in any of the Fuji cameras released since the first X-Pro, the famous Fuji simulations. For this 36 frame "roll of film" for the Film Simulation Challenge, I chose Ritchie's Vintage Kodachrome Film Simulation recipe. Thank you for enjoying the site, loads more to come! These incorporate 1 and 2 extra stops of detail in the highlights respectively, but because the process is similar to under-exposing, then bringing up the midtones and shadows in post-processing the minimum available sensitivities are ISO 400 and ISO 800 respectively. Kodachrome. Now, perhaps I can more completely try these settings: velvia, chrome, B&W. As you all know, I love the colours that come straight out of Fujifilm cameras; it’s why I shoot JPEG. Kodachrome is the brand name for a color reversal film introduced by Eastman Kodak in 1935. The only thing missing in the above comparison is an actual Kodachrome scan. ( Log Out /  This time I was intrigued by Ritchie Roesch’s Kodachrome II settings and dialled them in I think Kodak's emulsions are nigh on irreplicable on digital - same with Velvia. Kodachrome was een door Kodak in 1935 geïntroduceerde omkeerfilm.Het was een van de oudste in massa geproduceerde kleurenfilms. The Kodachrome stuff while free (big plus!) Cant wait to try them on my fuji. Thanks for posting. So I talk about composition, light and how I set my shots up during my landscape photography vlogs but I very rarely mention how I actually use the Fuji X-T2 and X-T3. Thanks. New Film Simulations – MGA Fuji 400H Redux And MGA Kodachrome Classic Posted by mgadams1970 17/01/2021 Posted in General Tags: 400H , Fuji , Fujifilm , Kodachrome , Recipe , Simulations Two new film simulation recipes for the Fujifilm X-Trans IV sensors, and for that occasion I went for a walk with the family to take some new photographs to compare the different recipes. Thanks. Reds could sometimes look a bit "rusty", unless the subject had very saturated reds. Really days yet but I’m site update will introduce your suggestions! I personally don't give a toss what Kodachrome or Fuji films looked like in a bygone era and suspect that quite a good number of people using film simulation software have never handled a film camera at all and never will. Velvia (RVP) was introduced in 1990 and quickly became a "must try" film, giving Kodachrome 25 some stiff competition as the industry standard in high-definition color film. For the record, I like the Fuji CC version best out of the box. All simulations are set to DR: AUTO, Noise -3, Grain: Off and Sharpness -1 unless stated otherwise. Please bookmark this page and call back on a regular basis. Not hard to do, just play with the settings until you are happy. Other positive slide films such as Fuji Velvia and Kodak Ektachrome (Ektachrome was intended as a replacement for Kodachrome) used the simpler E6 color reversal process. So weird to buy a small camera and then make it a big camera. It was one of the first successful color materials and was used for both cinematography and still photography. "Some conversion settings are adjusted for RAW... Post Moody Atmospheric Photos From Any Camera Here. . You will find a large selection of film simulations for X-Trans sensors on this section along with a link to the ultimate resource to LUT’s, Haldcluts and much more! Really interesting presets and a great find. Nevertheless, the new films couldn’t replicate the colors and depth of Kodachrome and … Kodachrome scans without bluecast, dust and scratches - with SilverFast By implementing improved Kodachrome routines into SilverFast Version 6.6 it's finally possible to achieve high-quality scans of Kodachrome slides with the highest possible Dynamic Range, color calibrated and … Monochrome Simulations: Acros+R Deep Skies, Acros+R Faded, Monochrome Deep Extra, J-Street, Leica M10 Monochrom (V1), Leica M10 Monochrom (V2). KODACHROME 25 PROFILE + 0.66 EV + WHITE BALANCE + STRAIGHTENING Waiting for the train's departure, Colombo Fort Railway Station, Sri Lanka Leica M + 28mm f/1.2. I’ve gone with the sliding comparisons as that’s what people have asked for and you can see how it affects the basic simulation it’s based on, but I am going to be separating the mono from the colour, so this will be a possibility. I don't think a function button gives you the ability to select a complete set. is way too saturated. Fujifilm JPEG Settings - The Recipes. Look forward to your site info. Welcome to One Camera One Lens’ Fujifilm X Film Simulations pages. What the simulations has not given me is exactly the feeling I look for. It may well be that older cameras get these film simulations via firmware updates. Fujifilm has a long tradition of manufacturing transparency film. But not, of course, for Kodachrome which was always (as far as I'm aware anyhow) bought process paid and sent off to a Kodak lab. I just went out and purchased a couple of rolls of Kodachrome 64. Connection Setting: Set your preferences for connecting the X100F to other devices, including a phone. You will find a selection of 20 film simulations in the X-Trans III section, all designed to be either replicating a film stock, or to give you a unique photographing experience. Fujifilm X Raw Studio message--what does it mean? You make great recipes! Not hard to do, just play with the settings until you are happy. Fuji darf es in seinen Marketing Unterlagen nicht sagen, ich aber schon. The sliding is great. Please choose the section you would like to visit. Examples of my recipes that have had YouTube videos made about them. Great work. Also followed you on Instagram. I think there's a complete misconception about what many people are trying to achieve here. They used many specific films, but the laboratory was able to alter significantly the renders of silver films as requested by the photographer.
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