"Some conversion settings are adjusted for RAW... Post Moody Atmospheric Photos From Any Camera Here. Examples of my recipes that have had YouTube videos made about them. All simulations are set to DR: AUTO, Noise -3, Grain: Off and Sharpness -1 unless stated otherwise. Please feel free to share the page and the website. Gonna try MGA Kodak ColorPlus 200 on my trip to Italy tomorrow thank you for sharing those, and please share more, they look great! Supported Cameras (Version 3.0) Please note that the Kodachrome Presets will ONLY work accurately with the camera models listed below. I believe it means you have a sim profile selected. Other positive slide films such as Fuji Velvia and Kodak Ektachrome (Ektachrome was intended as a replacement for Kodachrome) used the simpler E6 color reversal process. As you know, masters of photography of the analog era used to deal with professional laboratories. Meine Fuji Custom Settings / Filmsimulationen Teil 2 Im ersten Teil der Serie habe ich mich dem Grundverständnis des Quick Menüs und der Custom Settings gewidmet. Simulations in bold text have dedicated own page with more examples etc. While I mostly use the Raw files, I do occasionally use Jpegs straight from the camera. Welcome to One Camera One Lens’ Fujifilm X Film Simulations pages. "You can tell the mighty H1 hates my old glass as it displays the number of the beast!" Monochrome Simulations: Acros+R Deep Skies, Acros+R Faded, Monochrome Deep Extra, J-Street, Leica M10 Monochrom (V1), Leica M10 Monochrom (V2). fujix-forum.com uses cookies to help personalize content, tailor your experience and to keep you logged in if you register. There’s s whole new page of new film simulations coming very soon! These JPEG settings allow you to get various looks straight out of camera, many based on film stocks, such as Kodachrome, Portra, Tri … This could be a Southern Hemisphere phenomenon. Below are my go-to settings for the ACROS film simulation in my X100F (and previously, the X-Pro 2).My goal with these settings is to create immediately usable files that I … JavaScript is disabled. Thanks for your advice i have just started a month ago doing my log. I’m just building up some images slowly for testing as we are on lockdown a minute. Kodachrome was een door Kodak in 1935 geïntroduceerde omkeerfilm.Het was een van de oudste in massa geproduceerde kleurenfilms. For this 36 frame "roll of film" for the Film Simulation Challenge, I chose Ritchie's Vintage Kodachrome Film Simulation recipe. https://lifeunintended.com/articles/my-favorite-fujifilm-film-simulation-settings For those who don't shoot Fujifilm digital, I completely understand their confusion over our collective fanaticism with the film simulation profiles. ( Log Out /  Excellent recipes, I love specially the M10 Mono! Some exceptions apply…always read the fine print. Has anyone ever asked Fuji Service what they charge for an exorcism? Note that Kodachrome slides tend to be quite contrasty, so you may need to play around with the curve or black-point settings to get an optimum result. . Typically Astia as a default setting, Velvia for nature and Acros for black and white. The process was a dye additive process and required a chemist on the premises at all times. 1. Colour Simulations: MGA Colour Chrome+, MGA Nostalgic Negative, MGA Fuji 400H Redux, MGA Kodachrome Classic, MGA Fred Herzog Kodachome (V1) and MGA Fred Herzog Kodachrome (V2 – Authentic Shadows), MGA Portra 400, MGA Eterna XTra, Instant Film, MGA Classic Aged, Primavera, MGA Classic Negative and MGA Leica-Like V2. Finally, I have a question about scanning software. I always loved the mood of the different films profiles (simulations) included in any of the Fuji cameras released since the first X-Pro, the famous Fuji simulations. These incorporate 1 and 2 extra stops of detail in the highlights respectively, but because the process is similar to under-exposing, then bringing up the midtones and shadows in post-processing the minimum available sensitivities are ISO 400 and ISO 800 respectively. Is it necessary to be airtight? Most manufacturer's JPEG profiles are average at best. You are using an out of date browser. Thank you for enjoying the site, loads more to come! Kodachrome was included within the rendering options available even before the end of February 2015. Really interesting presets and a great find. Oct 13, 2020 at 12:30 AM Typically Astia as a default setting, Velvia for nature and Acros for black and white. Fujifilm X Kodacolor and Kodachrome II Film Simulation Recipes Compared 21st July 2019 In General Tags: Camera Settings , Classic Chrome Classic Chrome , Classic K14 , Classic K14 Lightroom Preset , Film Simulation , Fuji X Weekly , Kodachrome II , Kodacolor , Ritchie Roesch Other settings that I have changed from the defaults are as follows: Setup > Power Management > Performance: High Performance; AF/MF Setting > Number of Focus Points > 325 Points; Pre AF > Off Movie Settings > Movie Mode > 1080/25p; That’s about it really. The above collection includes Kodak and Fuji film picture styles Just highlight the words in quotes above right click and choose search. Agree completely that these X-Equals presets are far too saturated, but the whole point of presets in Lightroom is that you can modify them. X-T Series: X-T1, 2, 3, 4; T10, 20, 30; T100, 200, MY X-S10 is not charging through the camera USB port, Post Monochrome Photos From Any Camera Here, Photos taken with non-Fuji Cameras (specify!). Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. I highly advise that you print your images at some point, as these simulations really take on a different feeling when they are printed. Just be sure not to overdo it so you don't leave any residue on the film. Change ), You are commenting using your Twitter account. For those who need to know what goes into making a film simulation, please visit this link and see the hard work we do. This bundle is made to imitate the Kodak film by changing some Lightroom color settings on your photos so you can emulate the old analog Kodak touch with your current digital images. I was trying to see what crazy looks I could get if I really messed around with the settings. However, this article isn't going to be about the merits of shooting film, but the value of Fujifilm's film simulations. I personally don't give a toss what Kodachrome or Fuji films looked like in a bygone era and suspect that quite a good number of people using film simulation software have never handled a film camera at all and never will. ( Log Out /  Kodachrome had a nice "chiseled" look to it when in sharp focus, but at the same time was a bit grainy. All film simulation recipes are copyright Mark G Adams, and can be used by anyone. Every couple of months, I’ll mix up my fifth custom setting slot and try something a little different. Fujifilm X Raw Studio message--what does it mean? The only thing missing in the above comparison is an actual Kodachrome scan. For many years Kodachrome was widely used for professional color photography, especially for images intended for publication in print media. Please bear in mind that these settings are aimed predominantly at the Fujifilm cameras that have Classic Neg and Acros Film Simulations. Nice simulations, but would like to see more pictures with the simulations to get a better idea how it looks. Thanks. I shot Kodachrome back then, and it didn't look anything like this. I captured… Oddly the base settings seem to replicate it better when indoors or in shade, .The colors appear more saturated but then get really flat in sunlight. I just went out and purchased a couple of rolls of Kodachrome 64. It's more a question of whether the colours and contrast are basically attractive to one's own taste. If you click on the top line (I’m not in front of my Mac, “as shot”) its straight raw. Not hard to do, just play with the settings until you are happy. Documentary Photography, Blogs & Fuji Recipes. Here are the settings you need: Film Preset: Across Red Filter Highlight: +2 Shadow: 0 Colour: 0 Sharpness: 0 Noise Reduction: -4 Colour Chrome Effect: Strong Grain Effect: Off White Balance: Auto (set to 0 Red and 0 Blue) Dynamic Range: DR200 ISO: Auto ISO up to 6400 is fine. Film Emulation Presets for Darktable A set of presets designed to emulate some of the most used photo films of all time, build specifically for open-source RAW developer software Darktable.Includes vivid colors of Fuji Velvia, the muted tones of Kodachrome or the classic Ilford b&w films among many others.. The 18-55mm is a great lens, and as much as I endorse prime lenses, I always think you should have a zoom lens as your first lens to make sure you have all angles covered. is way too saturated. They started adding the iconic Provia, Astia and indeed the awesome Velvia preset in their jpeg settings on camera and later in their color profiles develop settings for Lightroom. I captured a RAW image and played around with it in the camera’s built-in RAW editor. It’s like shooting Kodachrome on a chip has 12.5+ stops and range and crazy-granular color controls. I’ve gone with the sliding comparisons as that’s what people have asked for and you can see how it affects the basic simulation it’s based on, but I am going to be separating the mono from the colour, so this will be a possibility. But, both the X-Pro1 and X-E1 are boxed with a custom version of SilkyPix a RAW converter that is specially adapted for the Fujifilm X-Trans sensor. These settings aren't the bottled magical substance of the photographers listed, rather they're guides to how I should be approaching the shot. However, it didn't look like Fuji's Classic Chrome either. Kodachrome was often a bit warmer, and when light was bad would "fade to gray" (to use my own very unscientific terms). It was one of the first successful color materials and was used for both cinematography and still photography. Nevertheless I will try them out. http://x-equals.com/blog/in-memoriam-kodachrome-1935-%E2%80%93-2010/, Photo Challenges & Assignments (any brand of cam). These settings can be used in other cameras with different sensors, but may give different results. That reminds me - this is actually a bridge photo(and it has two bridges in it): The resting in the bag idea I’ve heard before - but how? Simulations in bold text have dedicated own page with more examples etc. The standard setting is DR100 with a base ISO of 200, but also available are DR200 and DR400 settings. Good thing we are not superstitious here. Hopefully you have found all the recommended settings above to be useful for setting up your own Fuji X100F! (These work on X-Trans III and IV sensors). Simulations in bold text have dedicated own page with more examples etc. uhh. Reds could sometimes look a bit "rusty", unless the subject had very saturated reds. Would a plastic shopping bag folded over and tucked round do? Today I am going to go over all of my camera settings for the Fuji X-T2 and X-T3 that I use for landscape photography. Please bookmark this page and call back on a regular basis. I've been pretty happy for now with the following camera settings: Nice shot but I find the out-of-focus faded foreground distracting from the subject. Aber wie beschreibt man nun wiederum Kodachrome? Does the charging indicator lamp come on? I think there's a complete misconception about what many people are trying to achieve here. Connection Setting: Set your preferences for connecting the X100F to other devices, including a phone. One of the versions that I created reminded me of vintage Kodachrome. Change ), visit this link and see the hard work we do, written this easy guide to help you on your way. ( Log Out /  This is a very new section and we currently offer 16 film simulations for the X-Trans IV sensor. Hi Mark! Only Kodak developed Kodachrome film in the US until the very end when Dwayne's took over the processing. On this blog, I've covered the settings and techniques I use for processing Fuji raw files quite a bit, but I've never really discussed the settings that I use in-camera for use with Jpeg images. Here are some sample shots with these settings; (No editing at all! That is a brilliant set of Lightroom presets - thank you for drawing them to our attention. Quite rare these days to find this kind of quality stuff being given away. . I just had this. Classic Chrome ist Fujis Interpretation des legendären Kodachrome Films. The possibilities of the kodachrome presets for Lightroom are endless, they add style, can bring a WOW effect and skillfully highlight key points on your photos, but also speed up the photo editing process. Look forward to your site info. They started adding the iconic Provia, Astia and indeed the awesome Velvia preset in their jpeg settings on camera and later in their color profiles develop settings for Lightroom. If you have any questions about the … Fuji X Weekly — Film Recipes is a free app that gives you access to over 100 Film Simulation Recipes for Fujifilm X cameras! According to Ritchie: … I accidentally discovered a vintage Kodachrome recipe for my Fujifilm X100F, based on Classic Chrome. Everything else was a crap shoot if you're trying to guess what they were. They used many specific films, but the laboratory was able to alter significantly the renders of silver films as requested by the photographer. Ich bediene mich eines Zitats von Steve McCurry, der sagt Kodachrome hätte: “more poetry in it, a softness, an elegance”. Finally, I have a question about scanning software. This time I was intrigued by Ritchie Roesch’s Kodachrome II settings and dialled them in Fuji darf es in seinen Marketing Unterlagen nicht sagen, ich aber schon. Change ), You are commenting using your Google account. BTW, I do very slight sharpening in LR with the "strange" Fuji setting - details high, amount very low. Fujifilm JPEG Settings - The Recipes. Appreciate your efforts. Yes, my test pictures are usually a combination of those things. Not hard to do, just play with the settings until you are happy. Both are worth a visit, as it can give you an idea to work with. no adjustments, just applied the presets and exported. Kodachrome scans without bluecast, dust and scratches - with SilverFast By implementing improved Kodachrome routines into SilverFast Version 6.6 it's finally possible to achieve high-quality scans of Kodachrome slides with the highest possible Dynamic Range, color calibrated and … Now, perhaps I can more completely try these settings: velvia, chrome, B&W. Thanks, Mark! Change ), You are commenting using your Facebook account. Fuji's in-house emulation profile doesn't look like the real thing at all. There's a huge difference between viewing in reflective and transmission. So while Classic Chrome is at once a faithful homage to … I am currently using SilkyPix version 3.2.23.0. But instead of just pictures of a flower also a city scene or landscape would be nice. You can use these simulations on all Fujifilm camera’s with little adapting. Brilliant just got my Fujifilm XT30 any tips. Just be sure not to overdo it so you don't leave any residue on the film. Note that Kodachrome slides tend to be quite contrasty, so you may need to play around with the curve or black-point settings to get an optimum result. Cant wait to try them on my fuji. All simulations are a base-line for you to play with, so don’t be afraid to tweak! These settings can be used in other cameras with different sensors, but may give different results. I have often sticked with a few different film simulations, that I choose from. I think Kodak's emulsions are nigh on irreplicable on digital - same with Velvia. Thanks. But I would like to see something new based on the Classic Negative profile. Monochrome Simulations: MGA Sepia+, MGA Vintage Mono, MGA Leica Q2 Monochrom Cool (Now with “Warm” and black and white settings). I have often sticked with a few different film simulations, that I choose from. At what low temperatures did you use your X-T1, X-T2, X-T3, X-T4? Currently, this is the X100V, X-Pro3, X-T4, GFX100. [ citation needed ] It has brighter and generally more accurate color reproduction (though many see its high color saturation as unrealistic), finer grain, twice the speed, and a more convenient process ( E-6 ). For the record, I like the Fuji CC version best out of the box. Correct me if I'm wrong here, but I think if you were shooting color film in the 1950s, you were pretty much shooting Kodachrome. I prefer 23mm as it’s equivalent focal length is that of a 35mm full frame, which I just find perfect for everyday use. I have tried to use RAW – but I often find that the jpg options give me a good result. Select a profile/sim and I believe you get the message. As Fuji puts it, Classic Chrome is a simulation they made up to resemble the look of color photos from the fifties and is not a simulation of any specific film.