“La Religieuse” bluntly posits an unholy communion between the ruling and religious classes, suggesting that the Church’s display of piety was little more than a superficial cover for the decadence of the pre-Revolutionary aristocracy. La fin abrupte et tragique de La Religieuse, adaptée du roman de Denis Diderot, renseigne avec précision sur le projet de mise en scène de Jacques Rivette.Tout juste échappée d’un couvent, Suzanne Simonin (Anna Karina) ouvre une fenêtre pour se précipiter dans le vide.
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After the costly marriages of her (legitimate) sisters, the family is unable and unwilling to give her a dowry.Effectively disowned, Suzanne has no choice but to take the veil, a commonly prescribed solution for many inconvenient women of her era.
Restored in 4K from the original lm negative, Jacques Rivette’s THE NUN (1965), initially banned in France, can now be seen in all its revolutionary glory. La Prisonnière: Woman in Chains (Blu-ray) by Laurent Terzieff Blu-ray $19.69.
Synopsis: In eighteenth-century France a girl (Suzanne Simonin) is forced against her will to take vows as a nun.
Joan the Maid 4K Restoration [Blu-ray] Aujourd'hui dans Affaires Sensibles il est question d'in film censuré en 1966::"La Religieuse" de Jacques Rivette. Your recently viewed items and featured recommendations
The script (which the director wrote with Jean Gruault) had to be submitted several times for approval before production could begin, and the film was prefaced by a disclaimer noting that it “does not claim to paint a true picture of religious institutions, even in the 18th century. It doesn’t; Rivette observes without intervening.
Suzanne Simonin, la religieuse, par Rivette, 1966 Webographie : ... → l'appel à censurer La Religieuse a été lancé avant même que quiconque ait vu le film. It’s a story with clear applications beyond just the 18th century Catholic Church, which may explain why Rivette’s movie feels so undated, so conversant with our present moment, when repressive forces come cloaked in more than clerical robes.By dint of its often torturous subject matter, “La Religieuse” should itself be torturous.
https://www.telerama.fr/cinema/films/la-religieuse,8935.php Invitée Hélène Frappat, romancière, critique de cinéma, spécialiste de Rivette
Jacques Rivette’s 1966 film, “La Religieuse (The Nun),” might be one of the greatest prison movies ever made and certainly one of the most controversial. This item: The Nun (La Religieuse) [Blu-ray] by Jacques Rivette Blu-ray $19.43. Rivette was often regarded as the most theatrical of New Wave directors, and “La Religieuse,” which was originally conceived as a play, bears out that assumption.You can see it in the fluidly staged long takes, the emphasis on group dynamics, the way the movie doesn’t just seem to be recording Suzanne’s tribulations but guiding her through them, as if by doing so it could save her from her ghastly fate.
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I am going to open it but I fear the disk itself is damaged.
Please try again Justin Chang has been a film critic for the Los Angeles Times since 2016.
It has thus been regarded by some as an early, minor aberration in his remarkable oeuvre.But there is nothing minor about this movie, and nothing particularly aberrant: In its sculptural compositions and meticulous choreography of bodies through space, it has a recognizably Rivettian formal beauty. Jacques Rivette’s 1966 film, “La Religieuse (The Nun),” might be one of the greatest prison movies ever made and certainly one of the most controversial. → Des associations de parents d'élèves de l'enseignement privé et, surtout, de sœurs s'alarment dès At a fleet, enveloping 140 minutes, “La Religieuse” is shorter and more dramatically straightforward than some of the director’s later works — including “Céline and Julie Go Boating” (1974) and the epic, nearly 13-hour “Out 1: Noli Me Tangere” (1971) — in which he would test the boundaries of narrative form and duration.
This shopping feature will continue to load items when the Enter key is pressed. If so I might have to return it. (According to critic Kevin Jackson, the second approval was granted with the guidance of a mother superior, who found the film “perfectly realistic and nothing to be upset about.”)Outraged protests and reams of press coverage followed, and eventually the picture was allowed to be shown at the Cannes Film Festival where it was greeted with much acclaim and little of the judgmental hysteria with which so many had condemned it, sight unseen. films, The Nun is for you. Not that.